Thursday, July 02, 2015

The Letters of Frederick Rolfe to Charles Kains-Jackson


My Dear KJ... The Letters of Frederick Rolfe to Charles Kains-Jackson 
Callum James Books, Portsmouth: 2015. 74pp. Octavo softcover.
ISBN: 9780957450134
£10 (publisher's special price) + £3 p&p (UK), £4 (EU), £5 (Rest of World)
The Blurb: "In 1889, the small town of Christchurch on the South Coast of England was a sleepy neighbour to the booming Victorian seaside resort of Bournemouth. It was here that, somewhat wearied from two failed attempts to complete his vocational training for the Catholic priesthood, a writer and artist of no great achievement called Frederick Rolfe, now calling himself Baron Corvo, came to live for a few years. 

Rolfe went on to become one of the most idiosyncratic novelists of nineteenth and twentieth century, attracting a loyal following of readers and collectors who value his eccentricity of language and the unique vision of his fiction. It was during his time in Christchurch that Rolfe wrote the letters in this current volume to a London solicitor called Charles Kains-Jackson, who was close to the whole of the 1890s 'set' as an editor and contributor to magazines. 

These letters are one side of a correspondence unusual at this time because they are between two gay men, comfortable with their own and each other's sexuality. They range across art, poetry, religion, current affairs and a good dose of gossip. Rolfe is witty, outrageous, camp and insightful by turns."
I quite often begin posts like this by saying that I am "delighted to announce", in this instance, given it is nearly six year since I started working on editing this series of letters, "relieved to announce" would also be appropriate. The book contains 17 letters from Rolfe to Kains-Jackson written during Rolfe's stay in Christchurch. There is an introduction which sets the letters in context and the letters are annotated. In an appendix I have added seven previously unpublished poems by Kains-Jackson from his commonplace books including his 'obituary poems' for such figures are Lionel Johnson, Oscar Wilde, Aubrey Beardsley and Ernest Dowson.

You can buy your copy of the book direct from me by making a payment through Paypal to callum at callumjamesbooks dot com for the correct amount (see above for postage). You may prefer to buy from Amazon.co.uk or from Amazon.com and the book should be available on other regional and local Amazon sites. You could also support your local independent bookshop by going in and quoting the ISBN number and asking them to order you a copy.

If paying via paypal, please make sure that the address on your account is the one to which you would like the book delivered.

Saturday, June 27, 2015

Crossdressing Boys


This is a scrapbook from the 1920s of press clippings made by The Art Theatre Company about their productions at that period. There are several pages devoted to their production of a new play by George Moore called "The Making of an Immortal", a play about Shakespeare, so far so straightforward. My eye was drawn to the image at the bottom of the page though in which we see three boys dressed as women, to play the women's parts in the play, as in Elizabethan theatre. It can't surely be the last time that boys played the women's parts on the West End stage... but it might be close!



Thursday, June 25, 2015

British Neo-Romantic Art in South Wales


Having had the immense privilege to see France and Nicolas McDowall's art collection 'in situ' as it were, over the years, I am thrilled to bits to hear that a large selection of their assiduous, forty-year in the making, collection of British Neo-Romantic art is to be exhibited. It was, in fact, only after encountering and spending time with this collection and the careful and quiet thoughts of Frances and Nicolas that I even knew there was something called Neo-Romantic art!

If you are anywhere close to South Wales in the next couple of months it will surely be a must see exhibition. There is to be a catalogue too, 74pp, heavily illustrated and with words by the lovely Dr Peter Wakelin and very reasonably priced from the Monnow Arts Centre.

Wednesday, June 24, 2015

The Little Juggler by Barbara Cooney


This is The Little Juggler (of Our Lady). It's a story many of you will know I'm sure. It is based on a 13th century French manuscript that tells the tale of orphan and street juggler Barnaby who becomes a monk. Discovering that he has nothing to give the Virgin Mary as a gift during the spring festival he juggles for her instead (you may by now be realising this is basically the same story as The Little Drummer Boy) which the monks think is outrageous and he gets into a whole heap of trouble and needless to say the Blessed Virgin herself comes to his aid and the moral of the story is happily asserted that even the smallest offering made sincerely is worthwhile. 

The story was popularised in the 1890s by Anatole France and this version is often described as an 'adaptation' of his story. In fact, Barbara Cooney who provides both text and illustrations made her own adaptation of the story direct from the medieval source. It's a delightful book and the illustrations are in both colour and black and white but the colour ones, some of which are reproduced here have such an incredible vibrancy in just blue, red and green that I just had to share them.








Monday, June 22, 2015

Vivian Forbes


I wrote a little bit about Vivian Forbes on this blog a couple of years ago explaining how he was a devoted to his fellow artist Glynn Philpot but probably as a result, rather overshadowed by him. He isn't particularly well served on the internet either for images of his artwork. So I have gathered a few here. Some of these come from auction websites and others are my own scans of auction catalogues. His prices are very reasonable at auction still with a number of these selling for less than £500 in the late 1990s






Monday, June 15, 2015

Albert Wainwright


Today's post is staying in the 1930s but this time with Front Free Endpaper favourite, Albert Wainwright. I spent an extremely enjoyable afternoon yesterday with Nick Elm, with whom I edited a book reprinting Wainwright's diaries of his affair with a young German chap called Otto. We were working on a new book and in the process I got to browse through all manner of Wainwright's artwork and sketchbooks, which is always a joy. So, not being one to keep things to myself here are a few pieces. The painting above is quite simply beautiful. We think that maybe it is a painting of the Queen of Sheba given the presence of the lion, but we'd be happy to hear other ideas. Whatever the subject it is quite the most exquisite of his paintings I have ever seen I think. The dark, moody background sets off the jewel like quality of the colours in the foreground perfectly.

These next two are pages from his sketchbooks, which AW used like we might use a diary. These are from a sketchbook he filled when on holiday in Ostende in the late 1930s, just before the war.

If you are interested in Wainwright then do have a look as our book Albert and Otto: Albert Wainwright's Visual Diary of Love in the 20s on Amazon, it's available on most local Amazon sites too if you prefer.






Mercury in the Courier


 This will, I promise be the last post to come from these copies of Courier magazine from the 1930s and 40s! I have a particular devotion to Mercury and so I was immediately struck as I flicked through these magazines, how often he crops up. Now, I know that three of these five images are adverts for the same company, but even so, I only have six different copies of the magazine and I haven't included a scan of the Goodyear advert which has their logo of a winged mercurial foot! Perhaps there was something about the period which made Mercury seem a good bet...






Wednesday, June 10, 2015

3 Pages from the Sketchbook of J. S. Barrington



No, alas, I haven't stumbled across a long lost sketchbook by Barrington in a dusty corner of a junk shop; these three pages were published by Barrington in his 1951 book, Art and Anatomy, most of which is photographically illustrated. The book distinguishes itself from others in the genre by devoting as much space, if not more, to the male figure as the female and having the male figure come first in the book, the female second. Also, this book is different for its use of what would now be termed 'beefcake' photographs of men rather then specifically taken anatomical studies. On the whole, the photographs are not Barrington's own and the book includes quite a number by Angus McBean alongside the single-name pseudonyms of the beefcake magazine photographers.




 
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